2011 the letter "O" / GettingUpper / Pasadena Museum of California Art Getting Upper is a poster project and museum exhibition that examines how typography, language and communication relate to graffiti and street art. ~ The letter "O" focuses on the conceptual attributes of the letter "O". The meaning of this letter stands as something both greater and lesser than itself: universe and void. As such it is defined by its own absolute and abstraction—hence the ultimate choice of a QR tag to represent it. Through different constructs, both tag and "O" form are abstract markers of the same symbol and its precise meaning, the former being read by machines and the latter by humans.

2009 Speechscroll
Digital print on archival paper 24"x80" ~ This open commission is a 20x73.5 chart based on president elect Obama's November 4, 2008 victory speech. The 16:35 speech runs on the X axis and is timed by applause interruptions. The Y axis reflects Obama's physical height (73.5”) ~ Exhibited and sold at Cornerstone, Sonoma

2008 AirXY / 2008 Venice Architecture Biennale
A multimedia installation combining real time animation, sensors, haze, light and sound. Large-scale screen and floor projections confront and engage visitors passing through the massive space of the Corderie dell’Arsenale. The screen is a clock and responsive real time capture of the presence of visitors while the floor projection gradually reveals a fleeting architecture in the haze. ~ AirXY situates itself at the intersection of architecture, media and communications where human and technical ecologies merge into a new perspective. ~ In this way, AirXY introduces new spaces of meaning and presence: an architecture of in between moments-of air and the ephemeral. (w/Chris Salter)

2007 DualTerm / Toronto's Pearson International Airport
This installation was conceived to run simultaneously in Terminal 1 and in SecondLife (DualTerm SLurl) ~ a collaboration with Chris Salter that explores today’s airport as symbolic gateway to a new sort of void: the realm of 3Dworlds. ~ curated by Year Zero One2001

2005 Catalysts!/Engage / Experimentadesign, Lisbon Biennale
Five installations include a combination of more than 500 designs produced by 150 designers from five continents. (W/max bruinsma)

2006 Metropolis, Hands & Interfaces / HandBook
A chapter on the iconography of hands when used on interfaces: "Machines, like humans, are meant to touch and to be touched". Published by Lars Muller

2004 Dorito Project / St Etienne International Design Biennale
One of two installations ~ The exhibit traveled to the Center for Architecture, NYC in may-november 2005. The installation included the Dorito Lifevest and the Dorito VideoClock (SHOWN HERE)

2002 Chronopolis ~ Villette Numerique, Parc de La Villette, Paris
10m x 10m interactive multimedia installation. Also exhibited at Digital Crossover, Muffathalle, Munich, Oct’02 (w/Chris Salter)

2001 Timelocator / SFMOMA's
A web commission for “010101: art in technological times” exhibit. Timelocator explores the convergence between digital design and art, and between web and urban representations. timelocator.projects.sfmoma.org/ (EI & Netscape only)

1997-2002 IconCity / SFMOMA / Cooper-Hewitt / SF Exploratorium
This animation loop illustrates the kinetic aspect of modern cities as a result of the integration of graphic design into the urban landscape. ~ included in the 2000 Cooper-Hewitt, National Design Museum, NY: National Design Triennial, Design Culture Now ~ installed as a large video diptych in the San Francisco Exploratorium in 2002 (SHOWN HERE)